From 20 to 20000 hz #025 : the drone effect

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From 20 to 20000 hz series #025 : the drone effect

.2008 [85min]

[download flac]
[download mp3_320kbps]
[difusión en artesonoro.org radio]

The drone (bourdon) effect reflects the presence of a constant layer of stable pitch in a sound ensemble with no noticeable variation in intensity. Linked to music in its designation (the drone is a permanent bass note over which other elements are laid), the drone effect can also be observed in urban and industrial soundscapes. Many technical systems generate constant sounds that are close to a drone, even if the frequencies concerned are not limited to the bass range that originally characterized it.

Sonic Experience; Ed Jean-François Augoyard and Henry Torgue
McGill-Queen’s University Press (2005) (p.40-46)

Este volumen de la serie está dedicado especialmente al ‘drone’, además de servir como complemento a un pequeño proyecto de investigación que llevé a cabo recientemente en colaboración con mi colega Miguel Negrão tras una invitación de Raviv Ganchrow para hacer una presentación especial sobre ‘música drone’ dentro de sus sesiones semanales tituladas ‘Sound & Space’, que forman parte del programa formativo del Instituto de Sonología, en el Royal Conservatory de La Haya, Holanda. La presentación la llevó a cabo Miguel el 9 de mayo del 2008. El documento mostrado en esa presentación y una lista con algunos recursos relacionados están disponibles en este link. Un segundo set dedicado al ‘drone’ será lanzado pronto en esta misma serie y también es posible que aparezcan futuras versiones ampliadas del proyecto, así como una traducción al castellano, aunque por ahora no es un plan inmediato.

Escucha recomendada (para sentir un máximo efecto): volumen muy alto + oscuridad + un potente equipo con subwoofer o auriculares en su defecto.

This volume of the series is specially devoted to ‘drone music’. In addition, it works as an illustrative complement to a small research project I did recently in collaboration with my colleague Miguel Negrão, following an invitation by Raviv Ganchrow to give a lecture about ‘drone music’ within the context of his weekly ‘Sound and Space’ lectures, part of the study program at the Institute of Sonology, in the Royal Conservatory of The Hague, Netherlands. The presentation took place on 9th May 2008, delivered by Miguel, who has made available online the keynote document and a resources list with related reading material. A second set devoted to drone is due to be released in a forthcoming volume of the 20020 series. Extended and richer versions of this project and a spanish language translation may appear eventually, not being scheduled as an immediate plan though.

Recommended listening (for a maximum effect): loud volume + darkened room + good audio equipment with subwoofer (or headphones).

_tracklist )))

sleep research facility | ‘2.1’ | dead weather machine (manifold records, 2004)
bernhard günter | ‘stone circles’ | details agrandis (table of the elements, 1998)
yen pox | ‘deliver’ | deliver 7” (drone records, 1995)
lull | ‘slow fall inward’ | cold summer (sentrax, 1994)
bj nilsen | ‘breathe’ | va - spire : organ works past, present & future (touch, 2003)
la monte young | ‘for brass’ (1957) | der zweck dieser serie is nicht unterhaltung vol. 1 (unofficial release, 2003)
eliane radigue | ‘adnos i’ | adnos (table of the elements, 2002)
catherine christer hennix | ‘electric harpsichord no. 1’ (mid-1970s) | (ubu.com, 2003)
ellen fullman | ‘work for 4’ | body music (experimental intermedia, 1993)
pablo sanz | ‘ph13_drone’ (20020.org, 2008)
eric la casa | ‘01’ | air.ratio (sirr records, 2006)
eliane radigue | ‘kyema’ | trilogie de la mort (experimental intermedia, 1998)
marhaug + asheim | ‘clavaeolina’ | grand mutation (touch, 2007)
aube | ‘ne tuoi occhi’ | reworks stefano gentile (silentes, 2005)
boris | ‘interference demon’ | dronevil - final (inoxia records, 2006)
sunn o))) | ‘nn o)))’ | øø void (rise above records, 2000)
spacemen 3 | ‘ecstasy in slow motion’ | dreamweapon (live, 1990)
time machines (coil) | ‘2,5-dimethoxy-4-ethyl-amphetamine’ | time machines
time machines (coil) | ‘5-methoxy-n,n-dimethyl’ | time machines (eskaton, 1998)
brendan murray | commonwealth (23five, 2008)
oren ambarchi + martin ng | ‘procession’ | reconnaissance (staubgold, 2000)
paul panhuysen | a magic square to listen to (plinkity plonk records, 2004)
jean-françois laporte | ‘mantra’ | soundmatters (23five, 2007)
michael j. schumacher | ‘still’ | room pieces (experimental intermedia, 2003)
francisco lópez | untitled single piece 7” (drone records, 1996)
chas smith | ‘descent’ | descent (cold blue music, 2005)
sachiko m | bar sachiko (improvised music from japan, 2004)
tucker martine | brokenhearted dragonflies: insect electronica from southeast asia (sublime frequencies, 2004)

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mixed and arranged in Madrid. August 2008.

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20020 VJ SETS > Agosto 2008

PRÓXIMOS VJ SETS

Vie 01 | Punch Booking Showcase @ Danzoo (Dj Murphy + Elton d & snoo + Daisy chain)
Dom 03 | Space of Sound

Vie 08 | Danzoo Macumba (Karretero Special Techno Long Set)
Dom 10 | Space of Sound : Remember party

Vie 15 | Cocoon Residency @ Danzoo (Der Dritte Raum + Jacek Sienkiewicz)
Sab 16 | Sunflowers @ Macumba
Dom 17 | Space of Sound

Vie 22 | Karmarouge Residency @ Danzoo (Gabriel Ananda + A.Bartsch + D.Melhart)
Dom 24 | Space of Sound

Vie 29 | Danzoo Opening Party (John Digweed + Guy J.)
Dom 31 | Space of Sound : ‘WELCOME’ (dj invitado: Axwell)

http://danzoo.es/
http://www.spaceofsound.com/

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Hearing Berlin : an approach

01_first_approach [12:07]

02_wriezener_bahnhof_at_night [07:29]

03_ph13_drone [10:21]

[escuchar/download at archive.org]
[workshop + tuned city photo documentation]

Este trabajo documenta mi participación en el workshop ‘Hearing Berlin: 12 approaches’, impartido por Chris Watson con la ayuda de Derek Holzer. El workshop tuvo lugar entre el 1-5 Julio del 2008, dentro de las actividades del festival ‘Tuned City - Between sound and space speculation’ (un proyecto muy interesante que propone una nueva evaluación de los espacios arquitéctonicos desde la perspectiva de lo acústico).

Las tres piezas estan compuestas a partir de grabaciones de campo hechas en diversos lugares de la ciudad y fueron realizadas para la presentación final de resultados de este taller. Estas y otras piezas realizadas por el resto de participantes (unos 50min en total aprox) fueron reproducidas en loop en una instalación multicanal abierta al público en uno de los estudios de la radio house Nalepastraße, lugar escogido para la programación del último día del festival.

Además de mis propias grabaciones, en el track ‘01_first_approach’ utilicé algunos fragmentos de grabaciones realizadas por mis compañeros Kim Laugs y John Wollaston.


This work documents my participation in the workshop ‘Hearing Berlin: 12 approaches’, conducted by Chris Watson with the support of Derek Holzer. The workshop was held between 1-5 July 2008, as part of the activities within the festival ‘Tuned City - Between sound and space speculation’ (a rich and interesting project wich proposes a new evaluation of architectural spaces from the perspective of the acoustic).

These tracks are based in field recordings made at several urban locations in Berlin and were created during those days as my contribution to a final exhibition of our activities in the workshop. These pieces altogether with others created by some of the participants (spanning a total running time of 50min aprox) were presented publicly on 5th July 2008 as a continuous-loop multichannel sound installation in one of the studios at the radio house Nalepastraße, the chosen location for the programme on the last day of the festival.

In addition to my own field recordings I used source material by my colleagues Kim Laugs and John Wollaston in the track titled “01_first_approach”.

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