Comment Den Haag Onderwater @ Studio Loos

Tomorrow 26th June I am participating in a special edition of the Woderwerp new music concert series in The Hague. It will be at Studio Loos and I will be presenting live ‘Den Haag Onderwater’ a little project I have been working on. I will be closing the evening with a quadraphonic set of half an hour and in very good company, with a few friends also performing there.

Below there is a little piece of info about the project, extended info and more stuff will be posted here soon.

‘Den Haag onderwater is a project of exploration of the acoustic space of The Hague started in April 09, based on subaqueous field recordings realized in the waterways of the city.

Sounds from invisible sources are blended with the echoes and resonances of the everyday urban activity and the species that populate this habitat. We discover a rather subtle sonic experience which invites to an attentive listening.

1 Comment Estertor sibilante @ EN EL AIRE/ON AIR

‘Estertor sibilante’ has been awarded with a finalist prize in the fifth call of radio art ‘ON AIR’, held by Hablar en Arte at the radio of Circulo de Bellas Artes of Madrid.

This piece was made in 2005 and released last October on Desetxea Anti-Copyright netlabel, included in a work called ‘Ruidos Adventicios’.

The results of this call and the selected pieces are available online: in english y en castellano.
Thanks to the jury for this prize and congratulations to the rest of the awarded.

Comment eingang

Whoever you are, go out into the evening,
leaving your room, of which you know each bit;
your house the last before the infinite,
whoever you are.
Then with your eyes that wearily
scarce lift themselves from the worn-out doorstone
slowly you raise a shadowy black tree
and fix it on the sky: slender, alone.
And you have made the world (and it shall grow
and ripen as a word, unspoken, still).
when you have grasped its meaning with your will,
then tenderly your eyes will let it go…

___________________________________________________
eingang, rainer maria rilke, 1902 (translation by c.f. macintyre)

via : airform archives

Comment den haag photowalk #20090601

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den haag canals photowalk
1st June 2009

Comment sabotage all representation

Against Representation: A revolution in front of you

“The representation of the working class radically opposes itself to the working class.”
-Guy Debord, thesis 100 “Society of the Spectacle”

Representation as a form of mediation: fragmentation/separation.

Representation in politics can be seen as a form of delegation. One ceases to take responsibility for certain acts and thoughts relegating it to somebody else who will speak for him or her. In representative democracy an ordinary person does not have the possibility to develop the specific language needed to speak to power or authority.

A separation is created between everyday life and the moments when political decisions are made in the society or community. As Guy Debord pointed out, “representation separates life from experience” similar to the separation of disciplines, the division of labour, and the distinction of work from leisure. As representation is the ultimate medium of artistic practice, it is no wonder Debord and other situationists wanted to supersede art. They desired life without separation. As long as we accept art as a separate discipline it will be more difficult to produce concrete and direct political change through artistic practice. Similarly, to think that political action can only happen in the realm of politics or in the streets, would also be a way of accepting that separation.

A question emerged during a discussion: Who is the political subject today? Where is the political struggle today? Somebody said to have hope in the internet.

Surely many years have passed since the concise criticism of the spectacle by Debord. Capitalism has continued to develop powerful and complex forms of alienation.

The most recent of which surely include forms bio-power and social-networks. People are no longer simply spectators of their lives, but create their reality through the representations available on MySpace & Facebook. Profit flows from people’s sharing of creativity, feelings, emotions and intimate information – all of which is surely very helpful for market researchers, and the police.

All is not that bad on the internet. New realities and ways of working together are being built thanks to the Free Software movement, a very interesting example of how to counter the division between producer and consumer. For the spectacle, consuming is no longer enough, to be connected is necessary. Could this be a more intimate form of separation? What about all those iPhoners being half here, half there? Separation before being connected, separation from oneself?

Now let’s imagine we are in the same room with Gregg Bordowitz. At his talk at the ISP, we were impressed by his attentiveness to what was happening in the room. What type of relations were being built there and then? What type of environments were being created? He managed to create a different type of atmosphere in the space where so many discussions had already taken place. He created perplexity, and he inspired us, making us aware of the politics in the room and certain repressive relations taking place there. Sometimes a revolution is needed in the room.

How much are you willing to engage the situation that you are in?

The possibilities of a revolutionary practice are already in front of us. It is a matter of penetrating the surface of our reality which appears to be so neutral and free of interest. At the same time, we can feel a spectral hand making us behave in a certain way. The hand of the normalization process that does not let things get disrupted. The means to disturb this neutrality might be extremely simple; from talking to making noise, from acting different than usual to being utterly honest, from saying the most intimate things in public to being totally quiet when you should be having fun. To stop being so self-conscious about your reputation could also help. Surely it would mean to give up at least momentarily the restrictions of being the “yourself” of MySpace & Facebook. Why not becoming someone else? Fuck knows who, perhaps The Stranger.

“Sabotage all representation!”

The Invisible committee, “The Coming Insurrection”

___________________________________________________
Against Representation: A revolution in front of you
Mattin, NYC, April/May 2009

Comment food#0905

[listen]

Bill Fontana - Landscape Sculpture with Fog Horns (KQED, 1982)
Charlemagne Palestine - From Etudes to Cataclysms (for the Doppio Borgato) (Sub Rosa, 2008)
Charlemagne Palestine - The Apocalypse Will Blossom (Yesmissolga Records, 2007)
Francisco López - Conops (GD Stereo, 2008)
jgrzinich - time’s arrow landing (maaheli editions 02, web release, 1998/2009)
John Cage - Works for Percussion (Wergo, 1992)
Lasse Marc-Riek - Das Teilen Der Flügel (and/OAR, 2009)
Stephen Vitiello - Listening to Donald Judd (Sub Rosa, 2007)
Sublime Frequencies 016 - Streets of Lhasa (2005)
Various - Audible Geography (Room40, 2008)
Various - Translations Of Opacity - For Michelangelo Antonioni (and/OAR, 2008)

[audiovisual]

Walkabout - Nicholas Roeg, UK/AU, 1971
Examined Life - Astra Taylor, US, 2008
Kurt Kren - Sructural Films (INDEX 002)
Nor Noise: 12 portraits about noise music - Tom Hovinbøle - (OHM Records, 2004)
Kuvaputki - Pan Sonic / Edward Quist (Embryoroom, 2008)

2 Comments Herzschlag, Berlin´s underground

My first contact with Berlin´s underground took place by chance and just a few days after arriving for the first time to the city. I am not speaking about the U-Bahn transport network, neither about the pretty active experimental music scene going on there (visit echzeitmusik to be up to date), but about the subterranean architecture which spans a great portion of the city.

However, in those days I was even not aware of the existence of that unnoticed and obscure underground network underneath Berlin, it was a few months afterwards which I stumbled upon the story watching a documentary which featured the Berliner-Unterwelten, a society devoted to the exploration and documentation of Berlin´s subterranean architecture (they even have a series of guided tours, a friend attended one recently and he was quite enthusiastic about it).

Herzschlag is the german word for heartbeat, and it was the name of this installation created by some unidentified artists. I didn´t see any flyer, just red stencils on some walls in the surroundings, referencing simply the word. However, we knew about it through a friend, who just invited us to go somewhere, to an special exhibition only open on Saturdays afternoon. She was quite mysterious and didn´t want to reveal more details in order not to spoil the visit. We were taken to the hidden location, descended twenty metres below ground level and when our eyes got used to the darkness of the space, we started to explore the place. An idea of what we found can be made seeing some photos and listening to this binaural soundwalk. The experience was remarkable, both because of the intriguing curiosity about what was going on there and the location itself, which was superb. I hope to explore other locations of Berlin´s underground architecture someday, and who knows, maybe even to have the opportunity of making some nice recordings of those subterranean spaces.

Location: Prenzlauer Berg, Berlin
Date/Time: 21-07-2007 - 19:30h
Mic/Recorder: Soundman OKM II / Hi-MD Sony MZ-RH1 (better on headphones)

Comment Red Light District, Amsterdam

Binaural recording in Amsterdam´s red light district.

listen/download at freesound

Location: Red Light District, Amsterdam
Date/Time: 26-07-2008 - 20:46h
Mic/Recorder: Soundman OKM II / Hi-MD Sony MZ-RH1 (better on headphones)

Comment McDonalds, Leiden

Binaural sound portrait of a scene in a McDonalds(TM) in Leiden, one year ago.

listen/download at freesound

Location: Leiden, Netherlands
Date/Time: 24/06/08 - 17:57h
Mic/Recorder: Soundman OKM II / Hi-MD Sony MZ-RH1 (better on headphones)

Comment looping back