// [o_Ó] http://www.20020.org/web SONOVISUAL EXPLORATIONS / SOUND ART / VJING Thu, 03 Jul 2008 16:23:43 +0000 http://wordpress.org/?v=2.0.7 en el oyente infinito #023 http://www.20020.org/web/archives/729 http://www.20020.org/web/archives/729#comments Thu, 03 Jul 2008 16:23:43 +0000 [o_Ó]<<< blog http://www.20020.org/web/archives/729 La evocación del grito es la música originaria de los mortales.

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SEVERINO, E., Il parricidio mancato, Milán, 1985

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]]> http://www.20020.org/web/archives/729/feed/ el oyente infinito #022 http://www.20020.org/web/archives/728 http://www.20020.org/web/archives/728#comments Wed, 02 Jul 2008 16:23:08 +0000 [o_Ó]<<< blog http://www.20020.org/web/archives/728 La música es la expresión de las visiones del universo, de sus olas, sus árboles, de sus hombres, al igual que las teorías fundamentales de la física moderna, de la lógica abstracta y del álgebra.

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XENAKIS, I., Musique. ARchitecture, París, 1971

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]]> http://www.20020.org/web/archives/728/feed/ el oyente infinito #021 http://www.20020.org/web/archives/727 http://www.20020.org/web/archives/727#comments Tue, 01 Jul 2008 16:22:29 +0000 [o_Ó]<<< blog http://www.20020.org/web/archives/727 La música es una síntesis de procesos cognitivos presentes en la cultura y el cuerpo humano.

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BLACKING, J., A Commonsense View of All Music, Cambridge, 1987

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]]> http://www.20020.org/web/archives/727/feed/ el oyente infinito #020 http://www.20020.org/web/archives/725 http://www.20020.org/web/archives/725#comments Mon, 30 Jun 2008 16:19:59 +0000 [o_Ó]<<< blog http://www.20020.org/web/archives/725 El arte de los sonidos es verdaderamente -dicho sin metáforas- la intimidad de la interioridad y el fuero interno de las demás artes.

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JANKÉLEVITCH, V., La musique et l´ineffable, París, 1983

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]]> http://www.20020.org/web/archives/725/feed/ el oyente infinito #019 http://www.20020.org/web/archives/724 http://www.20020.org/web/archives/724#comments Sun, 29 Jun 2008 16:19:15 +0000 [o_Ó]<<< blog http://www.20020.org/web/archives/724 La principal función de la música es promover una humanidad sonoramente organizada agudizando la conciencia humana.

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BRELET, G., Le temps musical. Essai d´une esthétique nouvelle de la musique, Paris, 1949

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]]> http://www.20020.org/web/archives/724/feed/ the laws of simplicity http://www.20020.org/web/archives/741 http://www.20020.org/web/archives/741#comments Sat, 28 Jun 2008 19:35:00 +0000 [o_Ó]<<< blog http://www.20020.org/web/archives/741 REDUCE — The simplest way to achieve simplicity is through thoughtful reduction. 2 > ORGANIZE — Organization makes a system of many appear fewer. 3 > TIME — Savings in time feel like simplicity. 4 > LEARN – Knowledge makes everything simpler. 5 > DIFFERENCES — Simplicity and complexity need each other. 6 > CONTEXT — What [...]]]> Ten LAWS

1 > REDUCE — The simplest way to achieve simplicity is through thoughtful reduction.
2 > ORGANIZE — Organization makes a system of many appear fewer.
3 > TIME — Savings in time feel like simplicity.
4 > LEARN – Knowledge makes everything simpler.
5 > DIFFERENCES — Simplicity and complexity need each other.
6 > CONTEXT — What lies in the periphery of simplicity is definitely not peripheral
7 > EMOTION — More emotions are better than less.
8 > TRUST — In simplicity we trust.
9 > FAILURE — Some things can never be made simple.
10 > THE ONE — SIMPLICITY IS ABOUT SUBSTRACTING THE OBVIOUS, AND ADDING THE MEANINGFUL

Three KEYS

1 > AWAY — More appears like less by simply moving it far, far away.
2 > OPEN — Openness simplifies complexity.
3 > POWER — Use less, gain more.

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John Maeda : The Laws of Simplicity

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]]> http://www.20020.org/web/archives/741/feed/ alimento > junio 2008 http://www.20020.org/web/archives/740 http://www.20020.org/web/archives/740#comments Sat, 28 Jun 2008 19:23:41 +0000 [o_Ó]<<< blog http://www.20020.org/web/archives/740 [listening]

Francisco López / Scott Arford - Solid State Flesh
Low Impedance Recordings (GR) | 2005

Aube - Reworks Stefano Gentile
Silentes (IT) | 2005

Time Machines (Coil) - Time Machines
Eskaton (UK) | 1998

Ronnie Sundin - Hägring
Antifrost (GR) | 2004

Richie Hawtin - DE9 | Closer To The Edit (Parts) (Vinyl Ed.)
M_nus (CAN) | 2001

Spacemen 3 - Dreamweapon
Sympathy For The Record Industry (US) | 1993

[audiovisual]

What the future sounded like
documentary - Dir. Matthew Bate (UK, 2007)

Children of Men
Dir. Alfonso Cuarón (UK, 2006)

Inland Empire
Dir. David Lynch (US, 2006)

4 American Composers (John Cage, Philip Glass, Robert Ashley, Meredith Monk)
documentary series - Dir. Peter Greenaway (UK, 1983)

Still Life
Dir. Jia Zhangke (China, 2006)

Chats Perchés (aka ‘The Case of the Grinning Cat’)
produced for TV/DVD release - dir. Chris Marker (FR, 2004)

Noise
Dir. Matthew Saville (Australia, 2007)

In girum imus nocte et consumimur igni
Dir. Guy Debord (FR, 1978)

[reading]

The Laws of Simplicity
John Maeda, MIT Press, 2006

Deep Listening: A Composer’s Sound Practice
Pauline Oliveros, iUniverse, 2005

Wild Soundscapes: Discovering the Voice of the Natural World
Bernie Krause, Wilderness Press, 2002

[live]

Dream Amsterdam 2008 - Ryoji Ikeda
[photos] [video]

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]]> http://www.20020.org/web/archives/740/feed/ el oyente infinito #018 http://www.20020.org/web/archives/723 http://www.20020.org/web/archives/723#comments Sat, 28 Jun 2008 16:18:39 +0000 [o_Ó]<<< blog http://www.20020.org/web/archives/723 La música, lengua del mundo entero, se diferencia en dialectos.

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LÉVI-STRAUSS, C., Mirar, escuchar, leer, Madrid, 1994

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]]> http://www.20020.org/web/archives/723/feed/ el oyente infinito #017 http://www.20020.org/web/archives/722 http://www.20020.org/web/archives/722#comments Fri, 27 Jun 2008 16:16:28 +0000 [o_Ó]<<< blog http://www.20020.org/web/archives/722 ¿Qué utilidad tiene la música? Puede considerarse, sin duda, una forma de comunicación entre las personas; sin embargo, no sabemos qué comunica.

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STORR, A., Music and the Mind, Londres, 1997 (ed castellano, 2002)

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]]> http://www.20020.org/web/archives/722/feed/ el oyente infinito #016 http://www.20020.org/web/archives/721 http://www.20020.org/web/archives/721#comments Thu, 26 Jun 2008 16:14:47 +0000 [o_Ó]<<< blog http://www.20020.org/web/archives/721 La música, el arte de la sensualidad más refinado y lascivo.

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TOLSTÓI, L., Sonata a Kreutzer, 2003

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]]> http://www.20020.org/web/archives/721/feed/ el oyente infinito #015 http://www.20020.org/web/archives/720 http://www.20020.org/web/archives/720#comments Wed, 25 Jun 2008 16:12:46 +0000 [o_Ó]<<< blog http://www.20020.org/web/archives/720 La música no conoce ningún derecho natural, y por eso es tan discutible toda psicología musical.

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ADORNO, TH.W., Filosofía de la nueva música, 1975 (ed. castellano, 2003)

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]]> http://www.20020.org/web/archives/720/feed/ el oyente infinito #014 http://www.20020.org/web/archives/719 http://www.20020.org/web/archives/719#comments Tue, 24 Jun 2008 16:12:04 +0000 [o_Ó]<<< blog http://www.20020.org/web/archives/719 La principal función de la música es promover una humanidad sonoramente organizada agudizando la conciencia humana.

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BLACKING, J., A Commonsense View of All Music, Cambridge, 1987

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]]> http://www.20020.org/web/archives/719/feed/ el oyente infinito #013 http://www.20020.org/web/archives/718 http://www.20020.org/web/archives/718#comments Mon, 23 Jun 2008 16:10:23 +0000 [o_Ó]<<< blog http://www.20020.org/web/archives/718 La música sustituye a la religión al haber salvado lo sublime de la abstracción y de la monotonía. ¿Los músicos? Unos sensuales de lo sublime.

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CIORAN, E.M., Idreptar Patimas (Breviario de los vencidos), 1947 (ed. castellano, 1998)

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]]> http://www.20020.org/web/archives/718/feed/ el oyente infinito #012 http://www.20020.org/web/archives/717 http://www.20020.org/web/archives/717#comments Sun, 22 Jun 2008 16:09:01 +0000 [o_Ó]<<< blog http://www.20020.org/web/archives/717 La música, como el movimiento y la duración, es un milagro continuo que cumple a cada paso lo imposible.

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JANKÉLEVITCH, V., La musique et l´ineffable, París, 1983

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]]> http://www.20020.org/web/archives/717/feed/ el oyente infinito #011 http://www.20020.org/web/archives/716 http://www.20020.org/web/archives/716#comments Sat, 21 Jun 2008 16:07:46 +0000 [o_Ó]<<< blog http://www.20020.org/web/archives/716 Dado que la música es extraña a los conceptos, por esa misma razón se convierte en el lenguaje del inconsciente.

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BRELET, G., Le temps musical. Essai d´une esthétique nouvelle de la musique, Paris, 1949

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