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From 20 to 20000 hz #024 // ZEMOS98.10 MIXTAPE *****

[INFO @ ZEMOS98.ORG]

Yo creo que existe un deseo universal de compartir cualquier expresión artística. Un deseo universal que funciona a modo de virus de la cultura. Es decir si yo genero algo, normalmente, quiero compartir mi hallazgo con alguien. Y normalmente, cuando se es bebé, el instinto de la curiosidad está muy presente. De ahí surge un mercado, que tiene hoy día un grave problema con su modelo de negocio. Ese es su problema, nosotros vamos a disfrutar de las posibilidades de viaje sonoro que nos permiten las nuevas tecnologías para encontrar nuevas obras que proceden de una cultura, de una educación…

Pedro Jiménez

.98min

[download .flac - 660mb]
[download .mp3 320kbps - 230mb]

> F.T Marinetti - Definizione Di Futurismo (1912) | Futurism & Dada | SuRosa, 1989 [+]
> Pierre Henry - Marche Dans Le Temps | Remixe Sa Dixième Symphonie | 1998 [+]
> The Tape-Beatles | Waves of Waves | Music With Sound | 1990 [+]
> Radio Boy - Manufactured Music | The Mechanics of Destruction | 2002 [+]
> Pansonic - Lähetys / Transmission | Katodivaihe | Blast First, 2007 [+]
> Sainkho Namtchylak - Memory, No. 1 | Lost Rivers | FMP, 1992 [+]
> Massimo - (1:00) | InvalidObject Series (Var) | Fällt, 2000 [+]
> Voluble - Otocerum | cedé.zemos98_6 | ZEMOS98, 2004 [+]
> Man Ray | Interview | Various - Surrealism Reviewed (1929-1963) | LTM, 2002 [+]
> Taylor Deupree - Continue.Continue | InvalidObject Series (Continue) | Fällt, 2000 [+]
> Andreas Berthling - with(hold.II) | InvalidObject Series | Fällt, 2000 [+]
> Radboud Mens - Pulse 021.3 | Various - Club Transmediale 03 | Wire Mag #228[+]
> Russel Haswell - Mk2000 | Various - El formato is the challenge | Alku, 2000 [+]
> Taylor Deupree - Continue.Unhurried | InvalidObject (Continue) | Fällt, 2000 [+]
> Walter Benjamin - The Work of Art in the Age of Mechanical Reproduction (1936) (narrator: Michael Prichard) [+]
> Jeff Mills - Robot Replica | Metropolis | Tresor, 2000 [+]
> John Oswald - Open (Bo No Ma) | Plexure | Avant, 1993 [+]
> Robert Fripp - Scanning II | Various - Sometimes God Hides: The Young Person´s Guide To Discipline | Discipline Global Mobile, 1996 [+]
> Mecánica Popular - De De Toowey a Gutemberg | ¿Qué sucedio con el tiempo? | 1984
> Marcel Duchamp - The Creative Act - lecture in Houston (1957) | Various - Surrealism Reviewed (1929-1963) | LTM, 2002 [+]
> Esplendor Geométrico - El empuje del desarrollo técnico | Balearic Rhythms | Geometrik, 1996 [+]
> Government Alpha - Tomorrow | Strange Days | Xerxes, 2003 [+]
> Zbigniew Karkowski - Telescoping | Various - Less-Lethal Vol.1 | Alku, 2007 [+]
> Torturing Nurse - Repeating Weapon | Various - Less-Lethal Vol.1 | Alku, 2007 [+]
> William S. Burroughs - Origin and Theory of the Tape Cut-Ups (lecture given at the Jack Kerouac School of Disembodied Poetics at Naropa Insitute, April 20, 1976) [+]
> Found Tapes Exhibition | FT44 / FT66 / FT82 (2006-2007) [+]
> Christian Marclay - His master´s voice (live at the Kitchen during an evening titled His Master´s Voice: The Art of The Record Player in 1982) | Records | > Atavistic, 1997 [+]
> The Tape-beatles | Whole new animal | Music With Sound | 1990 [+]
> People Like Us - track06 | DIY or DIE (WFMU 2004) [+]
> Marshall McLuhan | The Medium is the Massage LP (Columbia Records, late 1960s) [+]
> Erkki Kurenniemi - Inventio / Outventio (w/ Jukka Ruohomäki) | Äänityksiä / Recordings 1963-1973 | Love Records, 2002 [+]
> Yoshio Ojima - Discomposure | Various - Atomic Weight | Dorobo, 1996 [+]
> FMOL Trio - fragmentos de tiempo | Banda Sonora de ‘Tira tu reloj al agua’ (2003) [+]
> FMOL Trio - gracia visionaria | Banda Sonora de ‘Tira tu reloj al agua’ (2003) [+]
> Sun Ra - Rocket Number Nine | Space Is The Place | Impulse! 1998 (orig. 1972) [+]
> Conrad Schnitzler - Con ´72 (side A) | Con ‘72 | Qbico, 2002 (live London, 1972) [+]
> Fátima Miranda - Palimpsiesta | ArteSonado | LCD, 2000 [+]
> DJ Spooky vs. Scanner - Snowshore | The Quick and The Dead | Sulfur Rec, 1999 [+]
> Matera - Pure Realism | Same Here | Sub/Mission Records, 1997 [+]
> Radio Beijing (Tiananmen Square Massacre) | WFMU - Radio Archival Oddities #1 [+]
> Max Ernst | Interview | Various - Surrealism Reviewed (1929-1963) | LTM, 2002 [+]
> The Art of Noise - Instruments of Darkness | In Visible Silence | China Rec, 1986 [+]
> Grabación de la Guardia Civil en la Frontera de España con Marruecos | audio.acción de Volúble en mediateletipos.net [+]
> Iannis Xenakis - Concrète PH (1958) (reconstruction by Kees Tazeelar) [+]
> Günter Múller & Otomo Yoshihide - Lisboa 98 | Time Travel | Erstwhile, 2003 [+]
> Ultra Red - Mentirosos | Structural Adjustments | Mille Plateaux, 2000 [+]
> Muslimgauze - Muslims of China | United States of Islam | Extreme, 1991 [+]
> Mazen Kerbaj - Starry Night (excerpt) | recorded by MK on the balcony of his flat in Beirut on the night of 15th to 16th of July 2006 [+]
> Thomas Ashcraft - War Witness: Morbid Soundfields from Iraq (2007) [+]
> Akira Rabelais - Disneyland Tower of Terror ride (Los Angeles, US) | soundtransit [+]
> Thomas Ashcraft - Baghdad Invasion (March, 2003) | sountransit.nl [+]
> Christophe Charles - Undirections Continuum | Various - In Memoriam of Gilles Deleuze | Mille Plateaux, 1996 [+]
> DJ Spooky - Journey (Paraspace Mix) | Necropolis : The dialogic project | 1996 [+]
> The Hafler Trio & Thee Temple ov Psychick Youth present Brion Gysin´s Dreamachine | Kk records, 1989 [+]
> Scanner - Bringing back a past | Warhol´s Surfaces | Intermedium Records, 2003 [+]
> R. Fripp & Brian Eno - Empty Landscape | New Depression Music (bootleg, 1980) [+]
> Alva Noto - Haliod Xerrox Copy 11 | Xerrox Vol.1 | Raster-Noton, 2007 [+]
> Ryoichi Kurokawa - Cipher | Copynature | Progressive Form, 2003 [+]
> Thomas A. Edison - Electricity and progress | Recorded for the opening of the NY Electrical Show, Oct 3, 1908 | Format: Edison brown wax cylinder (unissued) [+]
> Mecánica Popular - Galilea Centro de Datos | ¿Qué sucedio con el tiempo? | Dro, 1984
> Godfrey J Kola - Somalia! | VA - Extreme Music From Africa | Susan Lawly, 1997 [+]
> AGF - human.sMISTAKEreports | Allegorical Power Series #2 | Antiopic, 2003 [+]
> Terre Thaemlitz - This closet is made of doors | Love For Sale | MP, 1999 [+]
> David Toop - 37th floor at sunset | 37th Floor At Sunset - Music For Mondophrenetic | Sub Rosa, 2000 [+]
> Ultra Red - Las Montañas | Structural Adjustments | Mille Plateaux, 2000 [+]
> Edgar Varèse - Ionisation (1929-1931) | Offrandes | Sony Classical, 1990 [+]
> Christina Kubisch - Djungle Walk | On Air | 2004 (reissue of cassette from 1984) [+]
> MC Slept - 1min in gaza | cedé.zemos98_6 | ZEMOS98, 2004 [+]
> Autodigest - Compression 7 (Oops I Mixed It Again) | A Compressed History of Everything Ever Recorded Vol.1 | Crónica, 2003 [+]
> Atari Teenage Riot - Waves of Disaster (instrumental 97) | Redefine The Enemy! Rarities and B-Sides Compilation 1992-1999 | Beat Records, 2002 [+]
> voluble.net / Fran MM Cabezadevaca - Artículos prohibidos en aeronaves. Reglamento (CE) Nº 68/2004 de la Comisión 15 de enero de 2004 | El Puerto Aéreo | 2005 [+]

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# NOISE
The current synonym for sound, with music as its most organized form

# CACOPHONY
The ultimate paradigm of sound art, determined by sound production as a dialogical activity, a manifestation of social relations, even when it arises from the most seemingly irrevocable solipsism.

# INTERFERENCE
The ethical goal of experimental sound, a mode of resistance to globalized, standardized communication.

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Allen S. Weiss - Fourteen and a Half Words to Bespeak the Migone

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For the largest part of our species´ existence, humans have negotiated relationships with every aspect of the sensuous surroundings, exchanging possibilities with every flapping form, with each textured surface and shivering entity that we happened to focus upon. All could speak, articulating in gesture and whistle and sigh a shifting web of meanings that we felt on our skin or inhaled through our nostrils or focused with our listening ears, and to which we replied - whether with sounds, or through movements, or minute shifts of mood.

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David Abram, The Spell of the Sensuous
Vintage, 1996

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Arjen Mulder: In your essay “The Specious Present,” you propose a theory of the present as an embodied now: the now as a corporeal, neurological, cognitive experience. What is this now, this present?

Francisco Varela: The question of the now, taken in its most immediate sense - a sense that is not necessarily scientific - is a perennial topic for mankind. Every human culture has grappled with the question: what is this temporality? It is a tremendous paradox that we live now, and yet time, the future and the past, seem so present and so important. In the West we have been so gripped by the physics of the notion of time as something that is ticked away by the clock, and that time is an arrow, and divided in equal seconds, that it is very good to realize that even in our tradition there has been somebody like Saint Augustine ? and before him Aristotle ? who put his finger on the fact that the now has a certain depth. Saint Augustine made it clear that for humans the quality of life depends on understanding how much the now, the present, is a deep and living thing. He centered some of his meditations in the Confessions on the exploration of this now, which eventually led him to view his relation to the divinity within the richness of the present. He had a tremendous influence.
This notion resurfaces only centuries later in America with William James, when he says the flow of consciousness is what man is all about, and the now is what the flow of consciousness is about. This now he called the “specious present,” that is, the slippery, tricky present. At the same time, in Europe, Husserl and the phenomenologists invented the term the “living present.” That is exactly the same kind of understanding, that only when you break away from the spell of time as a sequence of instants one can measure by the clock, and you come back to your own depth of experience, you realize that what you live right now is almost like a cloud, like a whole, like a span, like a flash, which is far from a dot. The now is like an enormous matrix from which you can grow the quality of who you are. If the quality of that now is flat, your life is flat, and you have a life in which one appointment follows the other. It’s hurry here and hurry there; it has no depth. Everything that has quality requires the reassessment, the reinvention of the now, whether it is in aesthetics, in love, in sensuality, eating or playing or sport.

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The Deep Now (interview, excerpt)
by Francisco Varela

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